SheffDocFest 2024: The Boy and the Suit of Lights

First documentary feature from Edinburgh based film director set in Spain 

Inma De Reyes has crafted a fine modern-day document of an almost antiquated artefact of a bygone era in her hometown of Castellon, Spain. The Spanish title is El Nino Y El Traje De Luces.

Bullfighting is one of the most identifiable elements of Spanish heritage and yet it is a dying form of entertainment in the modern world with animal rights activists fighting for better care of the poor animals and also the stardom that came with the pastime waning due to the rise of better money in more mainstream sports such as football and basketball. 

De Reyes over the course of five years follows a young boy, Borja, as he navigates his puberty into young manhood with the dream of becoming a bullfighter while helping his single mother who works hard to provide for her and brother Erik. The other mainstay in his life is his grandfather, Matias, a man who could not fulfil his dream of bullfighting and so vicariously lives through his grandchildren.

The five year format - reminiscent of Linklater's Boyhood (2014) - does not use intertitles to inform the audience of a new year, instead we have the raising of a musical score to signify a movement in time sometimes bringing light to a new year or a dark cloud such as the passing of a loved one during the global pandemic. 

In terms of the lead character, Borja's expressive eyes allow us to see how he takes in this awe-inspiring arena of sport. He is very much aware of the opportunity to be something else in the world is being afforded in contrast to the underprivileged nature he finds himself in.

While filmed through the documentary medium, this is essentially a coming-of-age story for Borja and his younger brother; as they come to terms with the pressures of the decisions made in teenage years to better themselves and the hard work your parents do to keep the negativity of the world away from their children, and yet these obstacles cannot be ignored the older you become.

Empathetic in its tone and delicate handling of the complex sport while embracing the romantic notions bullfighting elicits in the Spanish cultural landscape; The Boy and the Suit of Lights is a film with lessons to learn and where even the best laid plans get changed. 

Financed by Screen Scotland, Chicken and Egg, Rustic Canyon and Women Make Movies; 

The Boy and the Suit of Lights receives its World Premiere at Sheffield DocFest on Friday 14th June in the International Feature Competition.

Sheffield DocFest: Sheffield International Documentary Festival (sheffdocfest.com)

Every Spy A Traitor - Alex Gerlis

 

First book of brand new series by prolific Alex Gerlis

Published by Canelo, Every Spy a Traitor, is the first in a prospective four part Double Agent espionage series by Alex Gerlis. The series will cover a dramatic 20 year period from the start of WW2, to the freezing of relations resulting in the Cold War .

It is 1937, as fascism is on the rise across continental Europe, fear is equally in the ascendancy. British Intelligence is trying to work out who the enemy is; whilst they have a spy amongst their own ranks named simply 'Archie'. 

Charles Cooper, a young British writer, is travelling through Europe seeking a story for his next novel. Yet his quest for research means that fact and fiction are going to merge together sharply and put him at the forefront of his next story.

Gerlis who came to prominence with the Spies series in books, is a passionate historian as well as a good yarn teller; those two passions finding a marriage together as the story of Cooper is relayed.

The first half of the book, which shows Cooper travelling the European railways and countries before the Second World War commences when Poland is invaded by Hitler's Germany; Cooper's journey is a romantic one full of notions and impulses of freedom. 

The second half when we become privy to Archie's true identity is heart-racing as Gerlis navigates the political landscape and ever shifting questions of loyalty abound in the back rooms. Little morsels of details such as an assassin dressed in a Cambridge University gown so as not to warrant suspicion on the school grounds is a delight especially; as are the ability to embrace historical fact with a highly digestable story much like Ken Lussey does in his Bob Sutherland novels. 

This is a whip-crack entertaining read full of nuggets of historical detail and full of great characterisation that while of the time also feel relevant to today's day and age. Top notch stuff from an established writer in total command of his powers seemingly.

Every Spy A Traitor is released from Canelo on 6th June on all formats.

My thanks to Canelo for the review opportunity.

Here

New film by Bas Devos out 7th June from New Wave Films

The story revolves around a Romanian construction worker in Brussels, Belgium who is considering going home until he encounters a Chinese specialist in moss. This unexpected connection between two wondering souls sparks the possibility of new beginnings for both in this 

The film was winner of the 2023 Encounters at the Berlin Film Festival and Best International Film at the 2023 Galway Film Festival

The film takes its time in bringing the two people together - they have a brief encounter about half an hour into the film, but the true connection does not take place until nearly an hour into proceedings. The attention to detail and our maintaining of attention upon the two leads is partly down to the restrained and nuance both convey. Stefan Gota has such an expressive face in the same vein as Matthias Schoenaerts, one that can be vacant yet also say so much with his presence alone.  Liyo Gong provides a performance of assuredness and calm nature.

The film, reminded me of Ralph Waldo Emerson's poem 'Nature' where Emerson relays about the essence of transcendentalism and gaining a divinity through nature, you can only understand reality through studying nature. Both of these souls like for instance Bob and Charlotte in Lost in Translation, are seeking answers in this mystery of life and find each other in this fleeting moment.

However, the star of the show is the director Bas Devos, a deliberate and methodical director, who is able to film wonderful images and allows the film time to breathe and not rush proceedings, much like the moss which as the forefront of the narrative for both of our protagonists.  These things take time.

But every night come out these envoys of beauty, and light the universe with their admonishing smile. In the woods, is perpetual youth - Ralph Waldo Emerson

The film is about connection and finding a place in this world that you can call home, when faraway from the first one; it will remind you of films you have seen before and yet is unlike anything you may have seen before. Reminiscent of the Dardennes naturally, a smidgen of the methodical technique of Tarkovsky and yet something of its own making and minute uniqueness.

Here is released by New Wave Films on Friday 7th June, my thanks to them for the review opportunity.

A House in Jerusalem

 

Enticing feature set in Jerusalem produced by Wellington Films

Directed by Muayad Alayan, this is a telling and delicate tale about how the past is always with us no matter how far we run from it

Young Rebecca, with her father, relocate to Jerusalem following the tragic death of her mother in a car crash that she survived. Their move into an old family home in the Valley of the Ghosts which becomes the setting for mysterious events and a friendship between Rebecca and Rasha, a young Palestinian only she can see. Following the template of young females becoming more of themselves by delving into mysterious gardens and households, this tale slowly becomes a ghost story being lived in now.

As the friendship grows, is Rasha a figment of Rebecca's imagination and the film makes a statement upon how grief is processed as the two young girls are binded by tragedy. Poignant and delicately handled in its production, A House in Jerusalem is a film for today but about yesterday and the days ahead.

Rebecca seeks solace in the ghostly apparition of Rasha, partly because they have a shared language or understanding, as she struggles to learn Hebrew in her new school. The friendship grows due to a fear of authority - for Rasha it is the police, for Rebecca the military - but never her father who is vulnerable and grieving himself throughout and traversing the single parent wasteland he finds himself in. 

Featuring performances by veteran stalwart Johnny Harris as the father, Michael, and featuring the up and coming Miley Locke as Rebecca, this is a talent to watch out for in future years. Showing maturity beyond her years in moments such as dishing up a plate for her departed mother at dinner time and listening to voicemail to hear her voice, Locke channels such as Ivana Baquero from Pan's Labyrinth (2006).

On limited release from May, this film is an enticing enterprise with a great premise that will help viewers understand the notions of racism and how it takes hold upon those who allow it to manifest in society - similar to The Boy in the Striped Pyjamas - a young protagonist interacts with someone from a different faith to better appreciate their background and become a better person themselves

A House in Jerusalem is produced by Wellington Films and released by Peccadillo Pictures from 31st May 

Cowtown 'Fear Of...' - Album Review

 

New album from Leeds based trio, out via Gringo Records 31st May

Made up of a born and raised three piece, Hilary Knott (keys/vocals), Jonathan Nash (guitars/vocals) and David Shields (drums); the band return with their first new record in eight years. They have always fallen back into each other, able to tour without much fanfare and yet be a great support band for those touring the northern settlements of England.

Nash is noted for being drummer of Hookworms which became Holodrum and Knott experimented with Basic Switches. And these bands DNA help ferment the DIY feel of Cowtown; the experimental fervour of Devo mixed with the punk-tastic tunes of White Denim.

Take for instant previous single, 'Can't Talk Now' which has the big chorus feel; or 'As Close To Town As I Like It' which takes Knott's measured vocals in unison with the melody. There are indie tunes here peppered with punchy works such as 'Total Engagement' or 'Thru Being Zuul' which provide that indie pop power that recalls Tokyo Police Club's apex.

 

There is a mixture of power and precision running throughout ending with the rousing 'Currently Unavailable' as the album's last track - yet this is a credit to a band that has worked the circuit for twenty years honing their craft, this is not a band but friends making music together winningly.

Lasting for that period of time in the underground scene, is reason enough to celebrate, yet to return with perhaps their best work and an album of positivity and jams to fill up any indie dancefloor is reason to be shouted from the rooftops.

Fear Of... is out from Gringo Records on 31st May 

My thanks to One Beat PR for the review opportunity.

In Camera - Film Review

Released on 13th September by Conic Films, highly intriguing British film by Naqqash Khalid starring Nabhaan Rizwan

In Camera follows the path of a young actor, Aden, portrayed by Nabhaan Rizwan caught in a cycle of nightmarish auditions and rejections across the industry. Directed by Naqqash Khalid, the film has won awards at Dinard and Thessaloniki film festivals and was nominated for two British Independent Film Awards.

Aden shares a flat with his long-time flatmate Bo, a junior doctor and a new roommate, Conrad (Amir El-Masry), who is a fashion influencer.

The film is attempting to make a statement on actors especially minority actors and the difficulties they have in breaking through to be taken seriously as actors in general and not on the periphery of situations and productions.

At times, Kafkaesque in the sense that our lead actor is lost in the vacuum of endless repeatable auditions and the notion that his ambition is being lost amidst the surreal nature of this all - this is a film full of ideas that is attempting to make semblance of it.

Over time as Aden struggles to gain work in the creative industry, he takes on a freelance role portraying the son of a grieving set of parents, taking on the guise of a white son for a middle-class family. Following this incident, when he feels more real and human, Aden slowly becomes jealous of Conrad's ability to gain what he wants by manipulating people and moments to his advantage and by being perhaps a more acceptable brown face - clean shaven, smartly dressed, clear English diction.

Taking inspiration from Conrad's Instagram feed, Aden morphs into the roommate, almost fooling Bo that he is him, adopting his mannerisms and image to play a new role in a single white female homage per se. Aden gains greater work by becoming less a deliberate actor and more an accidental person in the acting world. 

There is an interesting sub-plot involving Aiden's room-mate Bo, portrayed by Rory Fleck-Byrne, a junior doctor who is constantly hounded/harassed by a vending machine and the grind of his work load is taking over him. One set piece shows him being dunked by the blood on him by lives lost supposedly, he cannot stop the blood flowing and feels useless. He admits to drowning in the blood and this statement on the pressures junior doctors feel relevant and real. His story is a political statement, whereas the minority actor looking for recognition is the plot A strand. Roles are reversed seemingly for these protagonists. 

A revealing portrait of the male psyche struggling to adapt to the social media landscape, the pressures males find themselves under in this society - to look good, and be better than they are - in contrast to others who have it easy in comparison. Image is everything but what to do when your face just does not fit. 

For this reviewer though, In Camera is a film with a lot of ideas  and succeeds in wanting to say everything on its mind. It also cements the promise of Nabhaan Rizwan; a chameleon type actor who himself is doing away with pigeon-holing and type casting in his own career having recently starred as Dionydus in the recent Netflix series, Kaos opposite Jeff Goldblum and Janet McTeer. Rizwan is a highly talented actor who will grow into greater and bigger things.

Released by Conic Films.

The Small Back Room

Celebrating the 75th Anniversary of its first release, the Powell and Pressburger WW2 set film about political intrigue and psychological drama. The 4K restoration will be available on Blu-Ray, DVD and Digital from 3rd June and will have a premiere at BFI Southbank on 28th May

Starring David Farrar and Kathleen Byron - two actors who worked with P&P on Black Narcissus in 1940. Farrar portrays Sammy Rice, the finest bomb disposal expert in the army who was injured during the war. He begins an affair with Byron's Susan, a secretary in the war office. However, Sammy is haunted by his failings as a man owing to the injuries he has sustained, and his ability to be a lover to Susan due to his inferiority complex. He drowns his sorrows in whiskey nightly to the detriment of his ability to perform a great service to the continuing war effort.

Nazi Germany is still dropping booby-bombs on Britain, a bomb has exploded causing catastrophic results and another has been found which has not yet exploded. This opportunity provides Sammy with a chance of retribution and to face down his demons.

Based upon the 1943 novel of the same name by Nigel Balchin, the film was received as another win for The Archers, and when released in 1949 it was marked as a slow down for the team after the triumph and masterwork that was The Red Shoes in 1948.

Think of the Coens' A Serious Man or Scorese's Bringing Out The Dead; films that are not as highly thought of in the director's oeuvre yet they are deeply personal and intuitive to the sense of their overall body of work. In The Small Back Room, P&P look at an individual and the psychological complexity that the war will have upon individuals and how it seeped into everyday life and following on from Billy Wilder's The Lost Weekend in 1945, this is a serious depiction of alcoholic dependency.

Yet there are archetypes of P&P motifs here - location shooting, issues of class and status, off the wall moments such as Sammy's final descent and lush production design. A film that that serves as a reminder that even a flawed film by masters can still maintain attention and suspense.

Released by Studiocanal in a new restoration led by Martin Scorsese and Thelma Schoonmaker (Powell's widow) from the Film Foundation. The digital release features documentaries on restoring The Small Back Room, Kevin MacDonald on the Small Back Room, Ian Christie 'Defusing the Archers', an audio commentary by film scholar Charles Barr and an interview with the film's cinematographer Christopher Challis.

Out from June 3rd from Studiocanal