Wednesday 19 October 2022

Cassian Andor - Transcendentalism



Watching Andor the brand new Star Wars series streaming exclusively on Disney+ one is struck by the balance between two worlds inhabited by Andor, that of nature and outer space.

The brilliant new series created by Tony Gilroy that tells the origin story of the hero, Cassian Andor (Diego Luna) of Rogue One and how he became the spark to light the fire amidst the rebellion versus the Galactic Empire.



The first series is following a story arc structure of twelve episodes split into three part arcs. The first three part arc ended with Cassian being taken from his homeland, Kenari, by Maarva Andor (Shaw) where he eventually learns languages, interaction and beliefs of his own away from the indigineous life he was living previously.

The second arc ends with Cassian succeeding in his first rebel mission on behalf of Luthen (Stellen Skarsgaard) as they kidnap a galactic payroll to bankroll the rebels. This again involved Cassian flying in a ship at the conclusion heading to the sky which is never attainable.


This threw me back to the conclusion of the much loved Rogue One, the first film following the purchase of Lucasfilm by Disney, that told the story of how the rebels obtained the plans to destroy the first Death Star in the 1977 film A New Hope.

At that film's conclusion, Andor and Jyn Erso (Felicity Jones) are on the beach of Scarif, they have succeeded and the plans are away in the hands of Princess Leia providing hope to the rebellion. While that portion of the mission is completed, Andor and Jyn are about to be destroyed by the Death Star itself. They stand together embracing each other, knowing that despite their impending doom they are confident that what they have done will change the course of the galaxy.



Yet it is this closeness to nature, the rich green of Scarif to be the last resting place of Andor is fitting as he was born on a leafy planet such as Kenari - in essence it is a return to Paradise for him.

So for me, Andor in the new series is being portrayed a salt of the earth soul as very much, high on morals but looking out for himself firstly, tired of the empire he thinks a difference can be made and is eager to do so at any cost. He does not discriminate when using his blaster, we knew as much at the commencement of Rogue One when he very much went Of Mice and Men on an informant of his. Already he has killed three people in cold blood in six episodes when he feels threatened by someone's rationale.



Yet for me, it is no coincidence that Andor is comfortable in any climate or is so fond of nature he is most at peace when in nature, it also got me thinking about Ralph Waldo Emerson's poem 'Nature' where he lays about the essence of transcendentalism and gaining a divinity through nature, you can only understand reality through studying nature.

Andor is a proponent of this due to his being born within nature and being nutured by nature somewhat - how to live and survive - before he is taken from his planet by a starship and absconded halfway across the galaxy via hyperspace. That episode at the end of Ep 3 'The Reckoning' shows us Andor like we have all before staring into the vastness of space, a new sort of nature for Andor to explore and attempt to touch the untouchable but forego the relationship he has built up previously with the wood and trees. He would now live in a world of greys and darks, built up environments of cement and concrete, with buildings as tall as redwoods and animals are scared of people and do not live in harmony.

And so begins Andor's journey

But every night come out these envoys of beauty, and light the universe with their admonishing smile. In the woods, is perpetual youth 

And so begins Andor's journey into this beauty, one that he must have thought unattainable. The stars smile upon him and they promise him much, but it is down to him/man to obtain his reward. Emerson goes on to mention that the stars are unattainable, yet with technology at his disposal, they become reachable. Nature evokes poetry, simplicity and childlike wonder - the advent of technology to Andor is a shock to the system as Fiona Shaw's character first meets Andor smashing up consoles of a crashed spaceship, his fear of the new immediately strips away his innocence to create this now young adult full of anger and rage at this new way of life.

In the woods, is perpetual youth 

This could have been written for Cassian. Born within nature, and part of it. Emerson writes, in the woods we return to reason and faith. And at the start of the series, Cassian is looking for his sister a meaning or relic of his past life, and in the series so far he is surrounded by builidngs but nature is not far away. The Scottish Highlands substitute for Aldhani, and you can feel the howling gust of winds in this Star Wars galaxy - yet Andor looks at home and comfortable; as Emerson writes, he finds something dear and connates with the wilderness far more than in streets and villages.

The need to reach the horizon is as beautiful as his own nature, and for Andor that is an attempt to return back to his wilderness and a place of belonging. This is indicative of his rebellious character, someone who is unsure when his reckoning shall occur, but nevertheless always looking over his back, gun at hand.

The remaining six episodes of Andor promise a lot and I for one cannot wait to see his relationship with nature bloom further.


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