Second novel of Birmingham Noir by Natalie Marlow
out 28th March from Baskerville
Natalie Marlow's highly anticipated sophomore novel set in the fracitious 1930s Birmingham backstreets made more relevant to people by the astronomical success of Peaky Blinders, Marlow has crafted a fascinating protagonist in William Garrett, a private detective who resides out of Needless Alley (title of the first book). Garrett has daily dalliances with the ne'er-do-well's of Birmingham's backstreets and he must maintain his head above the parapet as he always deals with problems.
While the first book became a gripping whodunnit, in this second novel Garrett and his now wife become entangled in what can be described as a what-dunnit. They are called to the titular stately manor on the outskirts of Warwickshire countryside to oversee a mysterious sequence of deaths in this house that now operates as a male-only sanatorium, overseen by Dr. Moon whose patients are leaving premises.
On the wettest day of the year, local flooding makes it hard for Garrett and Queenie to arrive at the site, and the tale of the mysterious mermaid who may or may not be responsible for the murder that has occurred. Disturbances that appeared to be pranks are now being claimed upon the ghost of the Red Hollow, a girl who seeks revenge upon the men who killed her.
The placing of the narrative in a bottle format or self-contained environment is a clever tweak and acts as a homage to the works of Agatha Christie especially The Mousetrap. This is in stark contrast to the debut novel where Garrett was discovering different landscapes, traversing those places that do not exist anymore with Marlow/Garrett acting as our guide.
In this novel, the limitations of the narrative by restricting it in one setting does a disservice to Garrett's potential as a character, one who needs to discover due to his job title and by restricting him to one location is a shame.
This reader hopes that Marlow returns Garrett to the cobble streets of the second city - the different districts encourage different cultures and language. In this setting, you have Garrett always being the smartest person in the room where you always felt he would overcome the problem he faces eventually in this instance.
That is only a small note of criticism, credit where it is due, the professional relationship Garrett has with Phyll Hall, a fresh detective, is a winning one. They are a platonic pair who finish each other's sentences and the pain he feels when trouble arrives at Phyll's feet is clearly felt and well handled along with the precarious nature of the situation Garrett/Phyll have gotten themselves into.
Marlow also cleverly melds the influences of Gothic influences of British literature with the back and forth dialogue that effortlessly flies off the page, a book of atmospheric pressure that resonates creating a taut and scary tale. Marlow a self-confessed film fan brings those influences of the Haunting and The Innocents to her advantage in creating the eerie environment.
William Garrett is back and he will return. This is a character you cannot wait to see more of the future.
The Red Hollow is out on 28th March from Baskerville/John Murray Press
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