Gone Girl - review

 

When it was put to me by my girlfriend to go see Gone Girl, truth be told I was a bit tentative.  I had not read the huge bestselling novel on which the film is based by Gillian Flynn, who writes the screenplay also.  As much as I am an admirer of David Fincher, the last film of his I saw in the cinema was The Game - his unheralded work starring Michael Douglas and Sean Penn - the last film he did before he went stratospheric with Fight Club. 

Fincher's work is very much about mood and composition and the look, which whilst looks great the imagery can be lost on the big screen scale, this viewer preferring to wait for the Home Entertainment release.  However, something about watching Ben Affleck squirm was nevertheless pleasing to me but I also wanted to see Rosamund Pike succeed in the title role of Amy Dunne, married to Affleck's Nick.

The film like most of Fincher's work carries a bang and a twist that slaps you in the face with a cold hand.  As someone who did not read the book, the twist left me stunned and confused.  I remember seeing an interview with Affleck, where he has heard accusations that the film has been labelled misogynistic. Can a film/novel be such a thing, if authored by a woman?  Do not worry dear reader, I shall not ruin the ending or the twist.

What can be said though, is that Fincher has succeeded in creating a cyncial and satirical swipe at US media and the tabloid witch-hunts that go after fodder to fill up column inches and the constant 24 hour news cycle of hate and fear, as perfectly embodied by Missy Pyle in a cameo. The film is not only cynical of the media but also about that other institution, marriage; mocking it as an act between two players who cannot compromise and yet must do to co-exist.

When Nick and Amy meet, they are cute, the type of couple you want to slap for being so happy and Amy even says, 'I want to punch us, we are so cute'.  Yet following the recession and unemployment, the couple have to leave New York for Nick's hometown of Missouri to tend to his ailing mother.  This relocation leads to a relocation of feelings and emotions for the perfect couple, as arguments become longer and more frequent leading to the abduction of Amy where Nick is prime suspect.

The gloss of the film is very methodical as expected from such a visual director as Fincher, alas there is no coffee pot dolly shot for fanboys to cream over; this is a film where he allows his actors to hold centre stage and grab our attention by their movement and action. Fincher's camera is perhaps the stillest I can recall and yet his panache and flair is still so distinctive.

Whilst Affleck postures and breathes menacingly (in preparation for Batman no doubt), it is Pike who hits the home run of a performance.  A role of so many layers is given life by the beautiful Brit, allowing Amy to be homely yet icy; believable yet leave you guessing, sexy yet innocent.  Able support is forthcoming from Carrie Coon as Nick's twin sister, Margo; Kim Dickens as Detective Boney, who wants to help Nick but must do her job; Neil Patrick Harris playing it straight as an old flame of Amy's and Tyler Perry brings some genuine warmth and mirth to the role of Tanner Bolt, a lawyer who helps defend Nick.

At times gripping and highly intelligent, the film has to succumb to the books conclusion and whilst the twist cranks up the necessary tension, the denouement leaves you a little bit unhappy as it is no conclusion at all.  The more things change, the more they stay the same. Although the use of Affleck's face to bookend the abduction hunt - one a misplaced smile, the other an unhappy frown - is a great use of performance and a swipe at Affleck's matinee looks.

Go and see it before this girl is gone from the cinema screens. I did you a disservice Mr. Fincher and you deserved my cinema going attention. You have it now, its been found.

Barney's Version - DVD review

Paul Giamatti first came to prominence with his role as Bob Zmuda opposite Jim Carrey's Andy Kauffman in Man on the Moon; but I first noticed him in two very small roles.  As Howard Stern's lamentable boss, Kenny, in Private Parts where he is all mouth but no bite and as a smoking bellboy in My Best Friend's Wedding who give Julia Robert's character some advice in a corridor.  Both small roles and typically throwaway but there is something endearing and charming about Giamatti - the actor who gets that role as the schlub, the schmuck, the fat guy with his unique shape.

Barney's Version is directed by Richard J. Lewis, and based upon the novel by Mordecai Richler with a screenplay by Michael Konyves.  The film stars Paul Giamatti as the synonymous Barney Panofsky, the unrepentant callous individual who despite being a somewhat drunk and acerbic in his intellect, is nevertheless irresistible to women.  During the flashbacks that Barney has during the film's duration we see him with three desirable women, all whom marry him. The third and final wife, is in particular a saint, and he ultimately ruins his happiness with her and their life together.  Ultimately, Barney's brain begins to slow down and he becomes a mere ghost in the world as his family and friends begin to shun him.

Giamatti pleasingly gets his teeth into the role, as we follow Barney from his bohemian musings in Rome in the late 70s and his first misguided marriage to Clara who he believes he made pregnant; to his second marriage to the Jewish princess played by Minnie Driver, like the novel (which saved its most acerbic comment for) is not granted a name.  The sequences with Barney and this princess and her family are the most cynical of the literature and the hierarchy of Jewish stereotypes; the father in law looks down upon Barney's father, Izzy (played with aplomb by Dustin Hoffman) with disdain when he bemoans his lack of career progression saying stating maybe his lack of integrity when assaulting criminals might have served him better than focus on predjudices.

And yet, this film does have a unique heart.  Barney meets his third and final wife, Miriam Grant (stunning Rosamund Pike) at the wedding of his second wife.  He leaves his wedding and tracks her down saying run away with me, when cooler heads should prevail.  Barney later calls Miriam as he is signing his divorce papers for a date a few years later, and on their first date he retches up all the whiskey he hoped would give him courage.  Barney is an old romantic, and that is where the heart comes from, and once he and Miriam are married these are shown to be the best years of his life - two kids, success with his television production company (Unnecessary Productions - which gets a good pun) and respect from his peers.

The only cloud that hangs over him is the unsolved disappearance of his friend Boogie (Scott Speedman), who fell into the lake by his country house after an argument involving a gun.  We are led to believe that Barney shot Boogie, and the unrelenting pursuit of a Detective O'Hearne (Mark Addy - yes that guy from the Tesco's adverts and The Full Monty) to prove Barney's guilt makes us believe that maybe Barney did do it.

These questions are lightly glossed over by the film's conclusion, which is a reflection on the at times whimsical screenplay and light direction, both of which are helped by a stunning central performance by Giamatti who is at times beguiling yet never less than charming.  He is helped by Pike, who in a role that could easily be wafer thin on paper is elevated by her elegance and radiance she brings to the role; two tropes lacking in a lot of North American cinema lately.

It is important to note, that this is a Canadian production, and the film never over states that fact in the production unlike other films that may blare out the nationality of the piece, but the attention to period detail and set design puts some American productions to shame.

Barney's Version is for you if you like films similar to Mr.Holland's Opus that tells the story of someone through the decades and is helped by a powerhouse central performance by an under-rated performer, this is for you although it does include a little bit more swearing and sex than the Richard Dreyfuss film.  And as to why Giamatti did not get a Leading Actor nomination from the Academy, well that is as tragic as Barney Parnofsky's life wants to be.

Paul Giamatti, is one of my favourite actors to come out of Hollywood in the last ten years.  My favourite performance of his remains Miles in Sideways, a performance that wrongly was ignored by the Academy awards that year whilst his co-star Thomas Haden Church did get a nomination.  This year Giamatti won a Golden Globe for Best Actor in Comedy, and rightly so, alas he was again ignored by the Academy for this performance, admittedly a good field of actors but should not it be time to give a guy his due.

Barney's Version (15) is released on DVD and Blu-Ray on 23rd May from Universal Pictures International Entertainment with a £19.99RRP (DVD) and £24.99(Blu-Ray).  The bonus features include a special featurette.