The Missing: Series 2 review

The Missing was a successful television series written by the Williams brothers, Harry and Jack, which first appeared in 2014 starring James Nesbitt as a desperate father looking for his missing son after he disappears in France on a family holiday.  The series showed two parallel timelines between the incident when the boy disappears to the investigation some time later, led by the inquisitive detective Julien Baptiste (Tcheky Karyo).

The series ended in a somewhat downbeat finale with Nesbitt's character traversing rural Europe still looking for his boy, with many characters broken beyond repair.  Many reviewers thought the series was a stand alone one, with little comeback expected.  Yet the Williams' have returned with a second series, this time however, Baptiste is the focal point of the drama.

Baptiste, is still on the trial of the missing girl Sophie Giroux, and his interest is pricked when a young British girl, Alice Webster, goes missing near to her home at the military camp of Eckhausen, Germany.  When Baptiste begins his investigations in 2014, he is of sound mind and his investigations begins to upset people as more skeletons are let out of the closet.

Again we have a dual narrative as we follow the fall-out of Alice's disappearance in 2014, along with the present day when 'Alice' supposedly returns to her home after escaping captivity.  However, as with most mystery-thrillers nothing is what it seems and the labyrinthe storyline takes the viewer on many twists and turns as Baptiste - who is fighting a brain tumour - becomes a pivotal figure travelling to the Middle East to uncover the truth when a military cover-up may be happening.

In this day and age, the sensitive subject matter of false imprisonment (Josef Fritzel among others) and the unsavoury detail of child sex abuse, the Williams' have taken these topics and used them to great effect to create a story of fear and mystery.

While the thread has been stretched over the eight episodes, we could have perhaps done without the sojourn to the Middle East, nevertheless the acting has been top notch. Karyo brings a rare humility to Baptiste, whose desire to find justice is all conquering even to the detriment of his short-term health.  Keeley Hawes, as Alice's mother, Gemma, continues her purple patch of recent roles bringing a steel to a grieving mother and while David Morrissey's Sam can come across a bit chauvinistic and ignorant, he portrays the rigidness expected of a stubborn man.

The entire ensemble helps elevate the series to your run of the mill whodunit show; from Laura Fraser as the cold Eve Stone, who is pregnant when we first meet her, sleeps with Sam and has to protect her weak with dementia father, Adrian (Roger Allam).  Yet the casting is superb across the board, from Julien's wife, Celia (Anastasia Hille) who share those brilliant intimate moments with Karyo pleading for him to return home to Derek Riddell as Press Liasion officer, Adam Gettrick; the performances are impressive throughout, not to mention the sterling work of the young cast especially Abigail Hardingham in various guises of Alice and Sophie.

In a year of great drama on the BBC and the current clamour for true fiction such as 'Making A Murderer' it is great to see an original drama have you gripped from episode one to its conclusion; and even rarer to see a drama's second series be better than the original. The Missing Series 2 is the The Godfather Part 2 of television drams in that sense. That is the highest praise you can give this terrific series.

The Missing (Series 2) will be released on Blu-ray and DVD on 26th December from Aim Publicity.

Designated Survivor

Designated Survivor, is one of those shows that makes you slap your hand squarely on your forehead when you hear the premise and wonder why has it never been made into a film or television series before.

On every occasion of the State of the Union speech at the Capitol Building in Washington DC, one member of the then President's cabinet is placed in a secure undisclosed location in case the very worst scenario takes place and all of the remainder of the cabinet are killed.  This individual would then be sworn in and become the new Commander-in-Chief of the United States of America.

In the pilot episode, this worst case scenario takes place as the Capitol Building is blown up by a devestating explosion in an attack far worse than 9/11.  Our protagonist is Tom Kirkman, and is portrayed by Kiefer Sutherland; Kirkman is the Secretary of Housing and Development who on the morning on the speech was about to take an Ambassador role in Canada after being removed from the cabinet.  Kirkman's plans have now changed forever.

After being sworn in swiftly we cut to Kirkman throwing up in a marble bathroom in the White House as the size of the task before him dawns on him. This is the most human part of the pilot which is very by-the-numbers; it states that he is well over his head, he never wanted to be the President, his son is a rebel and the military want him out before he has even begun.

Yet Kirkman knows what is required of him whilst his Chief of Staff Aaron (Adan Canto) tries to input his own ideology on the new man in charge, the same for the head of the military who wants him to command an attack on any Middle Eastern terrorist group so that America can have an enemy to face down.

Three episodes into watching the show on Netflix - which screens episodes weekly - the show is one of the better things I have seen on that service in recent months. It is a show fittingly of the time and portrays some of the best traits of America on to the screen; the ability to rise up from the ashes of a major disaster, the opportunism of individuals to make a difference and the pride of the nation circumvented through one role.  It also shows the worst; the class divide, the distrust of politicians and that glasses do not look good on TV.

Sutherland is a great piece of casting, taking the man who was Jack Bauer in 24 - the renegade who took over post 9/11 and would single handedly take on any terrorist with his bare hands, he was the best of America (brave and patriotic) and the worst of America (torture).  Here he gives Kirkman an air of nobility and decency reminiscent of President Bartlett from the West Wing and the current President Obama, but also a man who knows he is way in over his head but is capable of greater things if he has support.

Support comes from his wife Alex (Natasha McElhone), his speech writer Seth Wright (Kal Penn - sarky and honest) and his former assistant Emily (Italia Ricci) who is now a special adviser.

There are some beats that fall flat, the role of Special FBI Agent Hannah Wells (Maggie Q) is a little bit misguided, would an agent really be this selfish and even at work following the disappearance and death of a significant other.  At the moment Hannah's story is one of the threads that is not ringing true at the moment, but as she digs deeper into the explosion at the Capitol perhaps her role will grow and lead to interaction with the President.

One more thought on his name. Kirkman. Is he meant to be Kirk-man, like a nod to Captain Kirk of Star Trek, the head of the Enterprise with a rag tag of people who do not have much faith in him and yet he must show leadership when others are better qualified (Republican survivor Kimble/Spock) and win over support from naysayers (Aaron/Bones) and entrust those vital to the cogs of the machine (Seth/Emily; Scotty and Chekov)

The series is gripping without shouting out from the rooftops saying look at this, it has plot points that are sometimes telegraphed - yes the teenage son would leave his illegal drugs and roll of money in his sock drawer - but it always ends on a genuine surprise that you do not see coming. Can it sustain this over 22 episodes in a full season and seasons to come? This reviewer sure hopes so.

Public Enemies

Originally broadcast in January of this year on BBC One, the three part series which was transmitted on consecutive evenings was created by Tony Marchant, and starred Anna Friel (back from Hollywood) and the underrated Daniel Mays.

The story revolves around two people who are off the rails who are attempting to get back on track.  Probation officer, Paula Radnor (Friel) has an assailant under her supervision but who on release murders a young woman.  Under great scrutiny, Paula is suspended and pleads, 'as much as you want to, you can't hold their hand 24 hours a day.'

Three months later, she is given the case of Eddie Mottram (Mays) who is out 10 years after strangling his girlfriend , 'I am out, but I'm not free'.

The writer Marchant, has a penchant for writing gritty, hard-edged material that does make you realise you have not got it as bad as you might think.

The episodes have a real zip to them, conveying a lot of information without succumbing to needless histrionics. This is thanks in part to the formidable acting display by Mays, who is slowly coming to national prominence after being under the radar for so long.  Friel does what she can with a role that could have been unlikeable, and one written where she should not garner such sympathies, yet Friel is adept at being strong when her character is weak or put upon.

A really gripping and sustainable piece of British drama that is a competent mixture of acting, writing and befitting of the current social climate.

Public Enemies is released by BBC Films on DVD on Monday 30th April, and distributed by Arrow Films