Leaving to Remain - Film Review

 

New documentary by Mira Erdevicki follows three Roma people living in the UK and how Brexit and Covid has affected their lives.

This eye-opening documentary by Slovakian director shows this reviewer, an Anglo-Saxon middle-class individual a view to a world I am unfamiliar with. It is about three gypsies who have come to the UK to seek progress and raise a family in a better world. 

We see Denisa, the first Roma British lawyer who helps migrants affected by post-Brexit legislation; Petr who has been awarded the MBE for community policing and Ondrej, a teaching assistant who wants to study psychology.

All are supporting their family, all have hopes and dreams yet these are scuppered firstly by the decision of the British populace to leave the European Union and then Covid which restricted their movement on a different level.

The determination of the trio is undeniable, their character never waivers and the belief that they can make a difference is powerful. There is no agenda foisted upon the viewer in this document, merely the three people speak for themselves serving as vital cogs within the community at large from Leicester to Peterborough to London suburbs - hard working people who are valued for their industry and personality.

As a time capsule of those moments in 2020 when we were moving through a difficult social and world-changing event, Ondrej's footage of Leicester as a ghost town as he states it reminds us of what we were experiencing.

Shot mostly by the three people themselves with hand-held point of view perspective mixed with telling voiceover of the individuals, this is a powerful document for those who have not seen such lifestyle or are ignorant of other people's hardships and what they must overcome to fulfil their dreams and aspirations.

Leaving To Remain is out on 28th April on limited release by Verve Pictures

My thanks to EmFoundation PR for the review opportunity.

Cairo Conspiracy

 

Exciting new paranoid thriller CAIRO CONSPIRACY out today from Picturehouse Entertainment

Set in and around the illustrious Egyptian Islamic institution Al-Azhar University in Cairo, which is the center of Sunni Islam. Small town fisherman's son, Adam, arrives to begin his studying at the school; shortly after his arrival the highest ranking religious leader, the Grand Imam, suddenly dies and Adam becomes a pawn in the power struggle between the religious leaders and political elites as they seek to elect a new high leader.

Boasting an impressive lead performance by Tawfeek Barhom as the erstwhile Adam, and featuring Fares Fares as the state security agent, Ibrahim, who is the key player in this game of chess bearing a resemblance to Mandy Patinkin's Saul from 'Homeland', the intense nature of the political game being played by both sides makes for a gripping conclusion.

Shot in Turkey as the director Tarik Saleh, has been banished from Egypt since the release of 2017's The Nile Hilton Incident (which starred Fares also) - the backdrop provides a luminous base for rich production design from Roger Rosenberg and crisp cinematography by Pierre Aim creating a world that is bright and clear but underneath darkness lurks.

Cairo Conspiracy is out now from Picturehouse Entertainment

Pynch 'Howling at a Concrete Moon'

Much awaited debut album from Kent four piece PYNCH released 14th April 

The four-piece band from Kent, Pynch came to prominence and attention in the latter part of 2019 when their debut single 'Disco Lights' appeared on the esteemed Speedy Wunderground label and then they released the track 'Somebody Else' in May 2020 which became an underground anthem for dealing with pandemic which was a rage against the situation that many people found themselves in, and rightly so the single was a breakthrough with recognition ranging from The Guardian to NME.

Pynch are by their own admission, a DIY band who hailed from Margate, Kent - a building in the town is basis for the album cover art - and with little more than the records made in Spencer Enock's home. Enock is lead guitar and vocals in the band ably assisted by Julianna Hopkins' keys, Scott Enock's bassline and James Rees on synths.

The musical influences of this band range from dreampop, britpop to electronica in the rich late 20th century tradition of bands ranging from Pet Shop Boys to Depeche Mode and up to the Mystery Jets. Yet it is all about the situation the band find themselves in, this is a post-austerity album an album full of disillusionment and crisis in dealing with the existentialism and longing for halcyon days that parents used to talk about it. There is a cynicism that runs throughout the album and yet that social commentary gives way heartfelt reflection and general optimism for better days by album's end.

From the opening track 'Haven't Lived A Day' the concept of trying to find answers amidst the madness and the difficulty of living is at the forefront of Enock's lyrics 'Trying to figure out what I'm feeling/Trying to understand just what I'm seeing' - the twin threads are seemingly enmeshed and attempted to untangle across the ten-track running time.

The sequencing of this album should be applauded, second track is 'Disco Lights' a key track in their history followed by most recent single 'Tin Foil' another track with humorous takes on the collision between emotion and worth, cynicism and sincerity. It is a fine balance that Enock navigates very well - the tracks do not speak of a band laying everything on the line, merely a precursor for more to say in the future which bodes well.

Nostalgia appears in the track '2009', followed by the two-part 'The City' which delves into the malaise of life then with 'Karaoke' which is about lost love. Penultimate track 'London' is about the living crisis and the general disappointment his generation feels towards governance and how austerity has left that generation to flounder while those before them flourish.

'I just want to feel something real'

When this listener first heard 'Somebody Else' it was ear-opening to a sound that was very much of the moment and artists aware of the moment they are living in during this tumultuous period of world history - the world keeps turning even when you stand still. That track you felt would have been the album opener, and yet it makes sense that it closes the album having been around for nearly three years it serves as self-referential to the band themselves supplying answers to that which they seek. That sense of melancholic ennui that underlies so much of the album is that which you end with, but that is not a detriment more a triumph for Pynch.

It is a testament to them that they can create an album of this maturity and intent, not being overawed by the level of expectation that was awaiting them. 

This is one of the best debut albums of recent times, a joy to listen to and for this listener who has followed the band from the early singles a pleasure to see the long playing album rise to the occasion and fully deliver on that promise.

Howling at a Concrete Moon is out on Chillburn Recordings from April 14th.

FACS - Still Life in Decay

 

New album from Chicago trio FACS out 7th April via Trouble in Mind

When the world was on lockdown, there was the opportunity to catch up on cultural aspects you missed but also a chance for discovery. In this role as a mild-mannered music reviewer, you get sent links to all sorts of musical genres and it is very hard on occasion to weave out of your lane and yet the chance came to review a three-piece from Chicago that were definitely not on my radar. This band was FACS encompassing guitarist Brian Case, bassist Alianna Kalaba and drummer Noah Leger. 

The album from 2020 was Void Moments and for this writer, it was a touchstone and portal for those times in lockdown - an album of ferocity and anger that spoke to me as this writer dealt with the boredom of lockdown and not seeing friends. FACS' brand of intense and post-punk noise was a calling card to me and yet a band that cleverly spoke more to me than an acoustic guitar.

After Void Moments came 2021's Present Tense, a quick follow-up to that pandemic album that sustained their growth as a band with buzzy feedback aplenty and Cage's lyrics again struggling to make sense of the world.

The new album Still Life in Decay is possibly the final swansong for the threesome as Kalaba seeks pastures new, yet the rhythm and unity of the band is still paramount, their tightness again only growing to this resounding maelstrom of disquiet. FACS are a loud band but are capable of such quiet moments of reflection amidst the undoubted sensory overload.

Opening track 'Constellation' is indicative - Cage's vocals burst out of the gate and then quickly recede to the pulsating bass and drum dance that Kalaba and Leger create. 'When You Say' is a call to arms of making sense of the world. 'Slogan' is about watching someone change which is a theme running through the album. 

As Brain Case explains: 'change...how that's seen from different people's perspectives. 'Still Life In Decay' is about that kind of change, realizing that relationships exist in different ways for individuals in shared situations, and how you navigate that as a unit. We knew when we were making this record that Alianna was going to be stepping away from the band, which of course heavily informed the sessions. Filled with deep understanding and love, but still those insecurities and feelings of loss, or an end of something. Despite that, 'Still Life In Decay' feels more like a beginning, it's tense and vulnerable in a way we haven't presented ourselves before. I'm so proud of what the three of us did with this album.'

The album is akin to a ghostly presence with this aura of transformation abounding, drifting past you but maintaining a lingering presence throughout, there is something earthly and yet other-worldy about the album as a whole. A journey of anxiety and white noise and with a gripping energy throughout.

Still Life in Decay is out from Trouble in Mind on 7th April

My thanks to One Beat PR for the review opportunity