Half Eaten By Dogs - The Serfs

 

New album by thrilling Ohio trio via Trouble in Mind Records

In a world where pristine pop rules the mainstream - think Harry and Taylor - the trio from Cincinnati, Ohio of Dylan McCartney (vocals, guitar, bass), Dakota Carlyle (electronica, bass) and Andie Luman (vocals, synth), have curated a musical maelstrom of sound and wonder that is both thrilling to listen to and difficult to pigeon hole.

From the album opener, 'Order Imposing Sentence', this is a long player that is distinctive in tone and is happy to wear a multitude of influences on its sleeve from Depeche Mode in the post-Vince Clarke days before the stratospheric late 1980s run they enjoyed to that of Suicide. Its more like surf rock but howling at the moon as they ride the crest of the wave.

'Spectral Analysis' samples Air's 'Sexy Boy' as if it is a transmission from a by-gone era or another dimension and yet there is a thrust and drive to the album that should be applauded. This trio is sticking to its guns and shooting for the moon.

'Electric Like An Eel' has this pounding sound that is unrelenting and yet is infectious and bouncy; it is this constant contradiction and juxtaposition of genres taking place that is seemingly unsettling to a listener but also keeps them on their toes, unsurprisingly this was a single release of the album.

This refreshing album is great to hear and reminded this listener of new sounds discovered such as FACS and Activity - that unnerving distortive sonic soundscapes being created.

It does strike me that this is a band who are on the cusp of bigger and better things to come, and while this album is their third album it smacks of maturity and a keen sense of what direction they want to be going in. 

The simplest way to state this album is that it is electronica just not as you know it infused with punk goodness and thrashing guitars.

Half Eaten by Dogs is out on Friday 27th October via Trouble in Mind Records

My thanks to One Beat PR for the review opportunity.

Pynch 'Howling at a Concrete Moon'

Much awaited debut album from Kent four piece PYNCH released 14th April 

The four-piece band from Kent, Pynch came to prominence and attention in the latter part of 2019 when their debut single 'Disco Lights' appeared on the esteemed Speedy Wunderground label and then they released the track 'Somebody Else' in May 2020 which became an underground anthem for dealing with pandemic which was a rage against the situation that many people found themselves in, and rightly so the single was a breakthrough with recognition ranging from The Guardian to NME.

Pynch are by their own admission, a DIY band who hailed from Margate, Kent - a building in the town is basis for the album cover art - and with little more than the records made in Spencer Enock's home. Enock is lead guitar and vocals in the band ably assisted by Julianna Hopkins' keys, Scott Enock's bassline and James Rees on synths.

The musical influences of this band range from dreampop, britpop to electronica in the rich late 20th century tradition of bands ranging from Pet Shop Boys to Depeche Mode and up to the Mystery Jets. Yet it is all about the situation the band find themselves in, this is a post-austerity album an album full of disillusionment and crisis in dealing with the existentialism and longing for halcyon days that parents used to talk about it. There is a cynicism that runs throughout the album and yet that social commentary gives way heartfelt reflection and general optimism for better days by album's end.

From the opening track 'Haven't Lived A Day' the concept of trying to find answers amidst the madness and the difficulty of living is at the forefront of Enock's lyrics 'Trying to figure out what I'm feeling/Trying to understand just what I'm seeing' - the twin threads are seemingly enmeshed and attempted to untangle across the ten-track running time.

The sequencing of this album should be applauded, second track is 'Disco Lights' a key track in their history followed by most recent single 'Tin Foil' another track with humorous takes on the collision between emotion and worth, cynicism and sincerity. It is a fine balance that Enock navigates very well - the tracks do not speak of a band laying everything on the line, merely a precursor for more to say in the future which bodes well.

Nostalgia appears in the track '2009', followed by the two-part 'The City' which delves into the malaise of life then with 'Karaoke' which is about lost love. Penultimate track 'London' is about the living crisis and the general disappointment his generation feels towards governance and how austerity has left that generation to flounder while those before them flourish.

'I just want to feel something real'

When this listener first heard 'Somebody Else' it was ear-opening to a sound that was very much of the moment and artists aware of the moment they are living in during this tumultuous period of world history - the world keeps turning even when you stand still. That track you felt would have been the album opener, and yet it makes sense that it closes the album having been around for nearly three years it serves as self-referential to the band themselves supplying answers to that which they seek. That sense of melancholic ennui that underlies so much of the album is that which you end with, but that is not a detriment more a triumph for Pynch.

It is a testament to them that they can create an album of this maturity and intent, not being overawed by the level of expectation that was awaiting them. 

This is one of the best debut albums of recent times, a joy to listen to and for this listener who has followed the band from the early singles a pleasure to see the long playing album rise to the occasion and fully deliver on that promise.

Howling at a Concrete Moon is out on Chillburn Recordings from April 14th.

Motionless by Cold Showers

Out today from Dais records, the new album Motionless from LA synth trio Cold Showers

This LA trio may be synth and that genre of keyboards and musicality may bring images of coldness and industrial edge, yet the Californian team are a bunch of die-hard romantics from a by gone era.

The sound of this album first sampled by lead anthemic single 'Shine' is one of the late 1980s/early 1990s a la The Mock Turtles and 'Can You Dig It?' one of those tracks destined for airplay with a sing-along catchiness

On the album after a deliberate methodical beginning, the album has a great middle run of sequencing. The single 'Shine' is followed by 'Measured Man', the title track and 'Sinking World'. These songs are indebted to the 1980s wave of alternative music with a pop sensibility - imagine Morrissey and Marr being married with the edge of New Order and pop of Tears for Fears.

The next single 'Dismiss' is one of those tracks that the band have returned to after some time and is perhaps the song most reminiscent of Depeche Mode but with a killer Marr guitar riff.

All in all Motionless is an album that will be very satisfying for a new listener and a huge step for the band in terms of breaking for mainstream traction and Dais Records have possibly picked up a winner; keep an eye out for forthcoming release from Drab Majesty.

Cold Showers are supporting Tamaryn at the Shacklewell Arms in Kings Cross on Saturday 25th May - they may well steal the show.

My thanks to One Beat PR for the review opportunity.