FACS - Wish Defense

 

Chicago trio FACS return with sixth studio album from Trouble In Mind on February 7th

FACS are unlike any band you would have heard of before. They remain an enigmatic threesome who have garnered a cult following since the release of Void Moments in March 2020, when the world took a turn.

That album was an insular one, and one whose lyrical content coupled with that throbbing basslines and persistent drums along with a vocal of insolence. Yet it is still able to connect due to the musicianship on display by Brian Case (vocals), Jonathan Van Herik (original returning member on bass) and Noah Leger on drums.

Case, the main writer, states that this album revolves around the idea of doppelgangers or doubles, in a sense FACS are holding a mirror up to themselves to make tackle yourself and what motivations lie ahead.

Second track 'Ordinary Voices' is one that is familiar in the FACS form; pulsating and unrelenting in its message, which is quickly followed by title track 'Wish Defense' which has this ear worm of a bass line at the outset, culminating in the shout 'I'm not here' on repeat as a chorus. It is not so much disillusionment they are trying to sell, they can see the listener and can relate.

 

Track four, 'A Room' is an archetypal wall of sound number, with Case's vocals merely being held up by the roaring sound being created.

While it may not reach the heights or lightning in the bottle of Void or the follow up Present Tense (2021), this nevertheless remains a supreme statement of art by a band who are firing on all cylinders. This sort of album gives you hope that when given a chance a band can still be heard.

At seven songs in length and thirty minutes in runtime, this is still a curated piece of production helmed by the late Steve Albini, in his last professional work.

Wish Defense is released from Trouble in Mind on February 7th

My thanks to them and OneBeat PR for the review opportunity.

Nightshift 'Homosapien'

 

Third album from Glasgow quartet out now via Trouble in Mind

Following on from the stellar workings of the sophomore offering, Zoe (2021), the Glasgow based four-piece return with more of the same and something a bit more.

A combination of DIY basement, jam music but with a lyrical melody running throughout; the band have had some changes in personnel and position as Chris White moves from drums to lead guitar and this personality shift has led to a more driving lead sound from his strings.

The best song on the album 'Sure Look' is indicative of this driving statement of intent, pulsating energy coursing through and yet reflective in the same breath.

The lyrical content ranges from self-preservation in these existential times and yet the DNA of post-punk resonates throughout from the slow hum of say 'Cut' to opener 'Crystal Ball' which is at times psychedelic. It is always better when a band shows a different string to their bow without losing sight of their own identity.

A hypnotic album that grows upon you with each listen, this is a band still growing and hopefully garner a greater following in the coming years.

Homosapien is out now from Trouble in Mind Records

Half Eaten By Dogs - The Serfs

 

New album by thrilling Ohio trio via Trouble in Mind Records

In a world where pristine pop rules the mainstream - think Harry and Taylor - the trio from Cincinnati, Ohio of Dylan McCartney (vocals, guitar, bass), Dakota Carlyle (electronica, bass) and Andie Luman (vocals, synth), have curated a musical maelstrom of sound and wonder that is both thrilling to listen to and difficult to pigeon hole.

From the album opener, 'Order Imposing Sentence', this is a long player that is distinctive in tone and is happy to wear a multitude of influences on its sleeve from Depeche Mode in the post-Vince Clarke days before the stratospheric late 1980s run they enjoyed to that of Suicide. Its more like surf rock but howling at the moon as they ride the crest of the wave.

'Spectral Analysis' samples Air's 'Sexy Boy' as if it is a transmission from a by-gone era or another dimension and yet there is a thrust and drive to the album that should be applauded. This trio is sticking to its guns and shooting for the moon.

'Electric Like An Eel' has this pounding sound that is unrelenting and yet is infectious and bouncy; it is this constant contradiction and juxtaposition of genres taking place that is seemingly unsettling to a listener but also keeps them on their toes, unsurprisingly this was a single release of the album.

This refreshing album is great to hear and reminded this listener of new sounds discovered such as FACS and Activity - that unnerving distortive sonic soundscapes being created.

It does strike me that this is a band who are on the cusp of bigger and better things to come, and while this album is their third album it smacks of maturity and a keen sense of what direction they want to be going in. 

The simplest way to state this album is that it is electronica just not as you know it infused with punk goodness and thrashing guitars.

Half Eaten by Dogs is out on Friday 27th October via Trouble in Mind Records

My thanks to One Beat PR for the review opportunity.

Melenas - Ahora

 

Spanish quartet Melenas return with third album AHORA from Trouble in Mind Records on 29th September 

The spanish foursome brandish their influences brazenly upon their guitar necks and 88 keys, this long player shows the band are exploring notions of identity and personality in their work.

For fans of Hinds (Spanish counterparts), nevertheless this is a band who are immersed in the inspiration of early 1980s synth and new wave records from Depeche Mode to New Order with a hint of Kraftwerk. The use of synthesizers are paramount and welcome in this album. An indie album that is electronica, an alternative album with mainstream appeal.

Ahora is translated as Now. The album according to the band shows, 'the importance of time, to reflect on how we live our everyday lives, with whom we share our moments and how we want (or don't want) to do it.

The dreamy pop of '1986' is married with somber songs such as 'Flor de la Frontera', and yet this is indicative of that life in which they mention. Since the pandemic, when we had that prolonged period of inner reflection with ourselves, we experience high highs and then have to suffer low lows, those lows may last longer and we seek those highs more and more.

There is a real harmonious and melodic rhythmicality to the works, it reminded this listener of a sole artist such as Sweet Baboo - who uses keyboards to make beautiful melodies with heartbreaking vocals. Take a song such as K2 which has this lovely sound as the band use those harmonies to create a lushness to proceedings following the album opener/introduction of the title track. 

While all the songs are written and sung in Spanish, the universality of the musical sonic landscape is key to the growing appeal of the band who have been released in the United States without the necessity of an English language dubbed version for instance.

Since their beginnings, Melenas have always been an intriguing act and with this third album they again forge an identity as a band who are bold and unique in their production creating a catalogue of music that is embracing with its warmth and intelligent in its construction. Melenas return with that difficult third album, and they are having fun here.

Ahora is released by Trouble in Mind on all platforms from 29th September.

FACS - Still Life in Decay

 

New album from Chicago trio FACS out 7th April via Trouble in Mind

When the world was on lockdown, there was the opportunity to catch up on cultural aspects you missed but also a chance for discovery. In this role as a mild-mannered music reviewer, you get sent links to all sorts of musical genres and it is very hard on occasion to weave out of your lane and yet the chance came to review a three-piece from Chicago that were definitely not on my radar. This band was FACS encompassing guitarist Brian Case, bassist Alianna Kalaba and drummer Noah Leger. 

The album from 2020 was Void Moments and for this writer, it was a touchstone and portal for those times in lockdown - an album of ferocity and anger that spoke to me as this writer dealt with the boredom of lockdown and not seeing friends. FACS' brand of intense and post-punk noise was a calling card to me and yet a band that cleverly spoke more to me than an acoustic guitar.

After Void Moments came 2021's Present Tense, a quick follow-up to that pandemic album that sustained their growth as a band with buzzy feedback aplenty and Cage's lyrics again struggling to make sense of the world.

The new album Still Life in Decay is possibly the final swansong for the threesome as Kalaba seeks pastures new, yet the rhythm and unity of the band is still paramount, their tightness again only growing to this resounding maelstrom of disquiet. FACS are a loud band but are capable of such quiet moments of reflection amidst the undoubted sensory overload.

Opening track 'Constellation' is indicative - Cage's vocals burst out of the gate and then quickly recede to the pulsating bass and drum dance that Kalaba and Leger create. 'When You Say' is a call to arms of making sense of the world. 'Slogan' is about watching someone change which is a theme running through the album. 

As Brain Case explains: 'change...how that's seen from different people's perspectives. 'Still Life In Decay' is about that kind of change, realizing that relationships exist in different ways for individuals in shared situations, and how you navigate that as a unit. We knew when we were making this record that Alianna was going to be stepping away from the band, which of course heavily informed the sessions. Filled with deep understanding and love, but still those insecurities and feelings of loss, or an end of something. Despite that, 'Still Life In Decay' feels more like a beginning, it's tense and vulnerable in a way we haven't presented ourselves before. I'm so proud of what the three of us did with this album.'

The album is akin to a ghostly presence with this aura of transformation abounding, drifting past you but maintaining a lingering presence throughout, there is something earthly and yet other-worldy about the album as a whole. A journey of anxiety and white noise and with a gripping energy throughout.

Still Life in Decay is out from Trouble in Mind on 7th April

My thanks to One Beat PR for the review opportunity

En Attendant Ana - Principia

 

The third album from Parisian five piece, En Attendant Ana, out now from Trouble in Mind Records

Pre-covid, remember those halycon days. En Attendant Ana released one of 2020's best albums in the January of that year, Juillet. While a ray of sunshine in the winter months before the world went indoors, the album was highly recommended and appeared on many a critic's list come the end of the year.

The quintet re-emerge from a period of hibernation with their third album released on Trouble in Mind records, Principia is a fine album and extension of their work as they grow themselves as a band and as people.

Starting off with the title track, Principia is a work of observation at a world changing as we stand still. The dynamics of relationships are explored and the individual's place within this society. Fronted by a female vocalist - Margaux Bouchaudon - whose voice is at times both haunting but harmonious; the album swoons with this permanent mood of French cote warmth washing over the album.

Best track is Wonder, a near six minute single that probably wears the motifs of the band most proudly - rhythmical and repetitive with a probing bassline that worms into your ears and stays with you. This is indicative of the album opener also -  yet the song speaks to the artist fearing themselves as an imposter and that person's place in the world.

The album feels cinematic, and while many references have been made to Stereolab, the band they remind me of most is Belle and Sebastian - a band that is culturally aware, self-reflexive and intelligent.

The album speaks to the personal but expressed through the universality of finding a reason for existing following the uncertainty of this post-Covid world, where the world got a bit smaller and yet we all seem a bit more distant from each other. There is a yearning in some of the songs for simpler times, perhaps that of 2019 when they wrote the music for Juillet, and yet they know the band must know that they must move forward unknowingly in this new world yet sounding defiant and true to themselves.

For fans of indie pop with a European too-cool-for-school shoegaze, this album is a must and already one of the best of this year. Expect it to be around at the end of year round ups come December, but for now bask in the glorious sunny delights from En Attendant Ana.

Principia is out now on all platforms via Trouble In Mind Records

My thanks to them and One Beat PR for the review opportunity.

Nightshift - Zoe

 

Debut album 'ZOE' from Glaswegian five-piece Nightshift out 26th February by Trouble in Mind Records.

The group formed in 2019 through the plethora of the Glasgow indie scene, a fertile ground for creativity and the many forms of indie music from DIY to punk with a sprinkle of experimentation.

The band consists of members from former bands Spinning Coin, 2 Ply and Robert Sotelo. They comprise of co-founders David Campbell (guitar) and Andrew Doig (bass), Eothen Stearn (keyboards/vocals) and Chris White (drums) joined to become an early Sonic Youth-esque group and the sound evolved once guitarist/vocalist Georgia Harris joined whilst the band was writing the album that would become ZOE.

Following hot on the footsteps of Black Country, New Road's debut album the sound of the best music in recent times is one of strength in numbers. Gone are the days of four member band (singer, guitar, bass, drums) and now it is a multitude of mult-instrumentalists, vocal duties shared amongst the group, the sound of community and coming together to form as one.

The group began recording the album in early 2020 and then the sound of pubs, restaurants and recording studios shutting their doors was heard across the nation and the world as the grip of Covid-19 took hold. Nightshift though took the lockdown in their stride, recording elements remotely and sharing the finds together. This meant the compositions were pieced together and producing an improvised feel to proceedings, one member adding to an idea and passing it on.

The album has a wealth of influences ranging from Brian Eno's seminal Oblique Strategies to the role of literature and philosophy, especially Rosi Bradiotti's 'The Posthuman'; this is a work that is willing to ask the key questions about self-worth, reflection and growth in the individual; whilst being aware of the surroundings that same individual is in with the importance of self, friendship and hope being paramount in this self-awareness.

While the argument can be made that all art is political, primary lyricist Stearn views the album as 'a re-claiming of public property, and a striving for social and environmental justice', the power of passing on the work and adding the next layer was a response to the loneliness an imposed lockdown may have on each person.

There is a majesty and mystery to the album from opening track 'Piece Together' and single 'Make Kin', yet the album builds up the crescendo and wonder that is 'Power Cut' the seven minute track that is full of experimentation and expression in equal measure.

This is truly a great album full of little nuggets of joy and pleasure, a miracle of community and togetherness.

Nightshift will be streaming a live concert on 27th February, the day after the album release, hosted by UK promoter, Upset the Rhythm, tickets available here.

ZOE is out from Trouble in Mind on 26th February in all formats.

Staunch Honey - David Nance

 

New album from Nebraskan rocker David Nance from Trouble In Mind Records

David Nance turned many heads in 2019 with his last album, Peace and Slightly Pulverized, which was highly acclaimed with his fuzzy and bristling guitar rock.

Nance returns with his fifth studio album Staunch Honey, which he recorded the majority of at his Omaha home with assistance from longtime bandmates Jim Schroeder (guitar) and Kevin Donohue (drums), making this a recorded at home master due to the Covid-19 crisis.

A culmination of two years hard work, Nance recorded and reworked the album three times over, Nance has weaved a manic and sonic clash of mood and emotion from raging guitars to squealing feedback which was so prevlant on 'Pulverized..' to a more mellower form of songwriting fitting for a late night drive or hang at home.

This is never more apparent than on track 2, 'The Dark, My Love and I' a rocker of supreme intensity but goes hand in hand with the gentler 'Save Me Some Tears' and 'Gentle Traitor'.

Fans of Neil Young will love this album full of earthiness, there is a real connection to the land and how important music is to Nance comes through the speakers in all its feedback glory.

Nance continues to impress with his intelligent and provoking guitar rock, a few years back there was a renaissance of guitar led music with Nance and his group leading the charge along with contemporaries such as Rayland Baxter. Some groups still exist such as recent release by The Big Easy can attest to but in this year of isolation and introspection it is good and pleasing to see an artist willing to just let his hair down.

Staunch Honey is out on Friday 13th November from Trouble In Mind Records

Lithics 'Tower of Age'

Hailing from Portland, Oregon; the third album from Lithics is out now from Trouble in Mind records

Reminiscent of other noted North East American bands from the Seattle and Portland areas, the band seem to have harnessed their driving guitar sound to create this sonic soundscape of invention and minimalism; hooks that revolve around circular motion you get the sense that this album is communicating a sense of disenchantment but also a wonder at this weirdness. 

Songs range from the incessant 'Beat Fall' to 'A Highly Textured Ceiling' which is at times short but stubby.  This album will either make you angry or you will find the rhythm to tap along to; they sound like a band who can jam but find the sound when they are cut loose from the strangulation of melody and would instead prefer to find their own way through the uncertainty.

An album which will have something for everyone ranging from lead single 'Hands' to the ear worm churning of 'Twisting Vine', this band has crafted an album to breakthrough.

Tower of Age is out now from Trouble in Mind records

My thanks to One Beat PR for the opportunity to review.

Melenas - Dias Raros

The long awaited mainstream release by Spanish four-piece Melenas is released by Trouble in Mind on Friday 8th May.

A bracing shot of adrenaline for the senses following a long period of docileness, this is a winning formula for fans of indie rock music.

For the band this is a step in the direction of more mainstream awareness across Europe following a long period of admiration in their native Spain.

From album opener 'Primer Tiempo' the intent is clear and what resonates most for the first time listener is to hear the tightness and unity of the group, the level of musicianship on display is a wonder to behold. 

There is a hum an energy that thrusts through the album from the indie-pop jangle of the album opener to 'Los Alemanes', but there is also opportunity for melody and slower moments on this swelling work.

The waltz of album closer 'Vals' is testament to this as is the gorgeous 'Ciencia Ficcion' that offers a chance for the band to engage with melancholic content with great cascading voices coupling with guitar waves.

This is a punk album for indie fans, and an indie sounding album for the stubborn punk fan.  The band hail from Pamplona, a region of Spain most famous for people being chased by bulls through the streets.  In this case, Melenas take the bull by the horns announcing themselves to the world and created a foundation full of influences both musically and culturally in a space full of promise and bursting verve.

Dias Roras is released by Trouble in Mind records, and the first label outside of Spain to release Melenas to the world.

Sunwatchers 'Oh Yeah?'

Fourth album from New York psych-rock four piece Sunwatchers out now from Trouble in Mind Records

Sunwatchers are a four-piece band from New York, who are the most potent mix of musical influences from a broad spectrum. Mixing funk, free jazz, prog, rock and punk into a cauldron of non-conformity, Sunwatchers harbour interests in not listening to reason and instead want to create a free-for-all of musical content.


If played loud, this is just adrenaline charging music full of character and life unlike many listeners would have heard before and yet while there is an intensity to the madness there is still a melodic mastery taking place as heard in 'Brown Ice'

The album culminates in a 19-minute closer 'The Earthsized Thumb' featuring African guitar melody before all components take hold and join together.

For all the mayhem taking place this is still the most accessible and mainstream album Sunwatchers have released, and for fans of The Flaming Lips lyric-free pieces will be a good gateway for new fans. Embrace the madness.

Oh Yeah? is out now from Trouble in Mind Records.

My thanks to One Beat PR for the release and review opportunity.

FACS Interview

FACS release their third album on 27th March from Trouble in Mind records, I had the pleasure of interviewing Brian Case, guitarist of the band and a Chicago native. Read my review of VOID MOMENTS here

• What is the history of FACS and what is he MO of the group?

FACS formed out of the ashes of Disappears, no real trajectory or mission in mind just wanted to continue making music in relatively the same direction we were headed with Disappears. In that regard, there was no real MO other than letting things play out as they happen and not forcing any ideas into a certain box. That said, we like playing with limitations and having self-imposed constraints.

• How did the three of you come together?

We've all been friends for almost 20 years at this point, mostly through our various bands playing together over the years and community spaces like Empty Bottle and the Rainbo Club. We've all been working musicians that whole time so it was easy to connect and use our shared interests/experiences to make something together.

• How long was the recording process for this album?

Three days to track, I think it was about three days mixing as well but we weren't there for that part.

• Do you go in with an idea of what you want to record or does it come together when you start in the studio?

We try and leave room for both. It's nice to go in and get warmed up with what you know, ideas with some structure or familiarity, but we like to leave as much time to experiment and get uncomfortable or out of our zone. They're equally important in our process.

• What did you listen to when you were growing up?

It was just what I had access to, my parent's record collection, mostly radio. By the time I was a teenager I was almost exclusively listening to whatever Dischord Records was releasing, mixtapes by friends, The Smiths, Sonic Youth.

• What do you listen to nowadays?

It's all over the place, I'm as curious as ever but I'm still as much influenced by my initial sources as I ever was. Today I listened to Wayne Phoenix, Alternative TV, Shabaka and the Ancestors, The Native Cats, Alabaster Deplume, and Fugazi (so far).

• What is your hope for the album now the power of touring has been restricted?

I just want people to listen to it, hopefully in one sitting with no distractions. We don't really have an agenda other than making music and challenging what we think it is we do. Even touring, which we love, is not the priority, it's moving forward and making something unexpected or unknown.

• How do you see the music industry changing due to Covid-19? Are you worried as recording artists?

I'm hoping C-19 changes everything, the whole world. We all need to wake up and look at what we do day to day and figure out how to make things sustainable for the future. In this country there's a lot that needs to be broken down and rebuilt, the music industry included. I hope this forced self isolation is the first step in people looking outside of their own immediate field of vision for a way to move the world forward. We're the virus.

• Chicago Deep Pan or New York slice?

Chicago Deep Dish is trash, disgusting. New York slice is supreme. That said I will never live anywhere else, I firmly believe Chicago is the best city in the world, NYC being a close second.

Go seek out merch and material from FACS bandcamp page here.
Void Moments is out now on all formats

My thanks as always to One Beat PR for the review opportunity.

FACS - Void Moments

Chicago trio, FACS, release 27th March by Trouble in Mind records

The trio comprise of Brian Case (guitarist), Noah Leger (drummer) and Alianna Kalaba (bassist) - the two men were in Disappears before the dissolution of that band an they made a 2017 debut entitled Negative Houses. The addition of Kalaba led to 2018's Lifelike.

They return with Void Moments, perhaps there most accessible album thus far - featuring songs that are less oblique and open to interpretation yet still featuring the darkness of their roots.

The album is full of these clashes - light and darkness, beauty and harshness, deafening din and softness - none more so encapsulated than in lead single 'Teenage Hive' and the follow up 'Casual Indifference'

There is a hypnotic quality to the compositions starting with opener 'Boy' a track that is both pulsating and full of flow, one thing this album could never be accused of would be lacking in energy which is infectious and careens through the seven tracks on the album.

'Teenage Hive' is one of those such infectious tracks, a riveting bassline and guitar thrash running through the core of the track that creates this sonic surge, no wonder it was the lead single.

'Casual Indifference' is the epitome of this brutal post-punk music and perhaps the standout of the album - a combination of art rock (see Activity release also) and emo shoegaze, it has a hook on you that will not let go.

FACS are a band who are searching for answers in this messy world, trying to make sense of their place and what purpose if any does this type of industrial heavy rock music have anymore.

Yet the musicianship of the trio really comes to the fore, a tightness as a group that cannot be matched plus there is a certain kind of joy coming through the airwaves in their unity together to create this unique soundscape.

Void Moments is out on 27th March from Trouble In Mind records and the bandcamp website.

My thanks to One Beat PR for the review opportunity.

En Attendant Ana 'Juillet'

Second album by Parisian quintet released by Trouble in Mind on 24th January

En Attendant Ana is a five-piece from Paris, France who are quietly making waves and gathering further acclaim through muso circles, and the difficult second album shows a broadening of the ambition shown in the debut album Lost and Found from 2018.

Trouble in Mind are releasing the second album also, and it marks the a band going through transition after the addition of guitarist, Maxence Tomasso.  Recorded by Vincent Hivert and Alexis Fugain over the course of one week in isolation in rural France.

Songs on Juillet are ones of hope despite the melancholic tone with triumphant trumpets swelling amid the lyrics of accepting loss but towards a new found sense of self and indepence.

The songs may be about the end of something, yet the beginning of another era - these songs are more focused than the first album, more hooks garner greater attention.

The band admit listening to more shoegazing, dream pop from across the spectrum including the likes of Cocteau Twins, Stereolab, Cate Le Bon and The Breeders; yet the band the album made this listener recall most fondly was the debut album of The Maccabees - a band of joyous infectiousness who could craft a winning tune and perhaps also Bombay Bicycle Club who themselves released a new album last week.

Both those bands share the same line of best fit with En Attendant Ana - a soulful band who want to sing about love, loss and dreams - playing with a lilt and float fitting for a summer sojourn.

This album is already one of the best listens of 2020 thus far, an album full of joy and unbridled ambition that could easily crossover from a niche of European to become an indie staple.

Juillet is released by Trouble In Mind on 24th January worldwide.

My thanks to One Beat PR for the review opportunity.

Living Theatre - Olden Yolk

The second album from duo Olden Yolk is out from Trouble in Mind on 19th May

Following on from the debut self-titled album in 2018, the duo of Shane Butler and Caity Shaffer return with their second dose of warm harmonies and gorgeous minimalism.

While the debut album showed an air of vivid lyricism and artists in love with the world as well as people it was very much about the contemporary world they inhabited in New York. The sophomore album shows the pair growing as a tandem and away from the minimalism, creating these larger expressions of expansive creativity as they toured the world.

The songwriting of Butler/Shaffer has grown to embrace the electronic world with a cinematic eye embracing avant garde punk and folk.

The lead single, 'Cotton and Cane' was a reach for the mainstream an infectious ditty of pop that has this wonderful second verse that is never-ending culminating in a crescendo, the accompanying video showed an affection for Ken Russell and the Nouvelle Vague.

Written in a feverish three month period by the pair (much like Rayland Baxter) it shows the power of communication and collaboration and shows in this wonderful album full of colour whereas the debut album much like its album cover was more still and greyer in terms of tone.

Living Theatre is out from Trouble in Mind on 17th May and they are on tour in the UK in October.

David Nance Group 'Peace and Slightly Pulverized'

Released by Trouble in Mind Records in early October, this latest album is entitled Peaced and Slightly Pulverised. Below is the single 'In Her Kingdom'

David Nance is anything but prolific, and after a six year period releasing albums for labels Grapefruit and Ba Da Bing, including cover albums of Lou Reed, The Beatles; he returns with a full length album for Chicago label Trouble in Mind credited to the David Nance Group which comprises of himself, guitarist Jim Schroeder, bassist Tom May and drummer Kevin Donahue.

The album is a seven track piece of old fashioned rock and roll, featuring distortion pedals, long solos, meandering lyrics and giving the group the space to seemingly jam and riff to their hearts content to create an album that sounds both fresh and something from a by-gone era.

Endebted to the album work of early Neil Young and Crazy Horse, up to and including the oeuvre of Jim James and My Morning Jacket.  For rock aficionados, there are songs that will rock many a boat from the opener 'Poison' which is perhaps the most ear catchy song with a riff and a rhythm that would not be out of place on AOR radio currently.

While the second track 'Ham Sandwich' is a bit hit and miss due to the abundance of distortion on it, the album regains purpose when '110 Blues' and 'Amethyst' come along - songs that carry you on a wave of emotion and euphoria as solos give way to words.

The album is out now from Trouble in Mind records 

The Love-Birds 'In The Lover's Corner'

The debut album 'In The Lover's Corner' from The Love-Birds out now from Trouble in Mind Records

From the sunny climes of San Francisco, the debut album from the Love-Birds is out now; and it is a wonderful earworm of an album full of gorgeous summery lilts, jingle jangle melodies and oozing with sunshine and hummable tunes.

The debut single Angela is emblematic of the influence of 1960s Laurel Canyon summer time music, it packs a punch with the reverb on the guitar but there is a drive to the music that sticks with you throughout.



The rest of the album is full of equally appealing tracks from opener 'Again' to 'December (Get to You)'; much like other bands from America who have released recent albums Lab Coast and Olden Yolk this is music for music lovers with an ear to the past to brace themselves for the future.

With 11 tracks this is a short sharp album that is great for the commute or a workout to fill the time; for fans of early REM, Pavement and the Replacements all the way back to the Byrds.

In The Lover's Corner is out now from Trouble in Mind Records

My thanks to OneBeatPR for the preview opportunity.

Olden Yolk

Olden Yolk release their self-titled debut album via Trouble in Mind records on February 23rd

The group are a New York based group led by songwriters, vocalists and multi-instrumentalists; Shane Butler and Caity Shaffer.  The band have a penchant for dystopian folk, abstract poeticisim and rhythms that can make you feel warm on a winters night and chill in the balmy summer.

The interwoven vocals of Butler and Shaffer combine to make at times bewitching compositions such as 'Common Ground' that enrich the whole album, it makes for a remarkably relevant record but one not ashamed of the bands that came before them from the harmony rich Crosby, Stills and Nash to the contemporary The Honeymoon and Joy Zipper. Try and not listen to that track and feel like you've been whisked away to another plain.

From the swooning 'Gamblers on the Dime' to the epic album closer 'Takes One to Know One' there is something for everyone here; an album full of abstraction but based around the semblance of union and collaboration touching upon themes of identity and memory. While Butler takes many vocal leads, Shaffer shows some good range on her leads on 'Vital Sign' and '

Olden Yolk is released from Trouble in Mind records on Friday 23rd February

My thanks to One Beat Digital PR for the audio link.