Italian Doc Season - Pure Unknown

 

Screening as part of the Second Italian Doc House season at Bertha Doc House

A collaboration between contemporaries, screenwriter Valentina Cicogna and director Mattia Colombo; this true crime documentary stars protagonist and forensic pathologist Cristina Cattaneo; who is portrayed as a fiercely passionate activist for the dead.

Working in Milan and administering autopsies to those who have passed on; Cattaneo is a unique person with a singluar voice. As she works, many bodies arrive with no identification or name - from the homeless, to the young and old, to migrants who seek a better life and die tragically in the sea.

Cattaneo and her team are stringent in the belief that all people deserve the right to a burial no matter who that person may be and what life they may have led. The lack of dignity to some dead is startling as the people who may have known these unknown people adds to the grief, even more startling is the faith that the grieving put in a television show over the police in the search for answers.

Much like Colombo's last film A Steady Job (screened at first Italian Doc House), this is a document to a time that is changing amidst a global pandemic. Cattaneo wears a mask in her work but due to the crisis, she and everyone she encounters is wearing a mask all except those she treats in death.

The engaging character of Cattaneo is one that keeps you involved with the film that is as concise and precise as the doctor. Shot with clarity and accomplishment, this film serves as a reminder that life is too short and no matter how it ends, respectfully the life should be cherished in its conclusion. There is a care and attentiveness required for the dead that we have lost in the land of the living - Cattaneo strains to make that point clear to her peers and students.

Special mention to the music by Zeno Gabaglio which offers a touching sombre piece to this sensitive topic which handles its subject matter with such dignity.

Pure Unknown screens at BerthaDocHouse on Saturday 27th January 3pm with a filmmaker Q&A afterwards.

Home - Bertha DocHouse

My thanks to Stuart Haggas for the review opporunity.

A Steady Job (Il Posto) - Cinecitta Italia Docs

New documentary highlighting the plight of full time employment in Southern Italy, screening as part of  Cinecittà Italian Docs

A Steady Job (Il Posto) focuses on graduate nurses and healthcare workers in Italy who compete for just a few vacancies in their desperate search for job stability. Filmed largely before, but ultimately impacted by, the coronavirus pandemic, it provides a disturbing overview of the labour market in Italy – a portrait of a tragically broken system.

 

Filmed in the hand-held form focusing on those trying to find work for these graduates, travelling to job fairs on long journeys, the documentary has this unfortunate air of resignation about the downfall of government to give jobs in a vital industry.

As the film notes in the beginning, one in two adults in Southern Italy are unemployed and so they travel on coaches to these job markets in the hope of gaining employment abandoning family with dreams still in their hearts.

A telling scene is when the man who arranges the trips for these hopeful souls is driving home with his business partner and he stops saying is it worth it for him to do this anymore in this recrutiment industry - the weight of the world and the burden he feels weighs heavy upon his shoulders. This moment is shot as an excised scene from Michael Mann's The Insider.

The ending of the film which poses more questions than supplying answers for those seeking employment, shows the individuals walking zombie-like with a melancholic ethereal electronic score underneath - this is a generation of souls lost without a direction in this world.

Filmed largely before but ultimately more impacted by the global pandemic, this overview of the Italian health system is both sombre and tragic. This film grips the audience and becomes an alternative road movie of sorts.

A Steady Job (Il Posto) will have its UK Premier and screen as part of the Cinecitta Italian Docs season at London's Bertha DocHouse on Saturday 24th June with a Q&A with directors Mattia Colombo and Gianluca Mattarese

Salma - DocHouse preview

DocHouse returns this September for a special one-off screening of Salma, Kim Longinotto’s hugely anticipated documentary on a Tamil poet, at the Rich Mix Cinema on Thursday 26^th September.

When Salma was 13, her parents took her out of school and locked her away in a room with a single window. After 9 years she gave in to pressure to agree to an arranged marriage and was released from her house arrest into another kind of prison, in the home of her new husband's family.

Throughout her desperate years of confinement, Salma poured out her anguish writing poetry, which she sneaked out of the house, eventually getting a notebook into the hands of an enthusiastic publisher. Against the odds, Salma became one of the best known Tamil poets and her newfound fame helped her start on the path to freedom.

Following Salma on a trip back to her village, renowned British director Kim Longinotto (Divorce Iranian Style, 1998; Sisters in Law, 2005; Rough Aunties, 2008) paints a nuanced portrait of an extraordinary, resilient woman. Salma has hopes for a different life for the next generation of girls, but as she witnesses, familial ties run deep, and change happens very slowly.

The film is a wonderful documentary that typically shows us a window to the world rarely shown, and in light of the recent rape trials in India it is imperative that this continued marginalisation of women in Islamic culture is addressed and change is brought about with equality for all.  Salma is one of those campaigners hoping for this change, change your cinema going habits and go see this vital film document from one of Britain's best documentarians.

Kim Longintto is renowned for films that highlight the plight of female victims of oppression or discrimination; her editor and long-time collaborator, Ollie Huddleston, will join us for a Q&A after the film.

SALMA+ Q&A with editor Ollie Huddleston
Thursday 26th September| Rich Mix Cinema |8pm | £7 (£5 conc)

A trailer can be viewed here