Trailer Trash: My Cousin Rachel

In a segment I have not done for some time, I am looking at a newly released trailer and wondering what can we expect.

My Cousin Rachel is based on the classic novel by Daphne Du Maurier, whose work - The Birds, Rebecca - has been subjected to cinematic adaptations by the master of suspense Alfred Hitchcock previously. This second cinematic adaptation (previously made in 1952 starring Richard Burton and Olivia de Havilland) is directed by Roger Michell and stars Rachel Weisz and Sam Claflin (Me Before You).

The trailer begins with word that 'she is here' meaning Rachel has landed in Plymouth to visit her cousin Philip. The novel is about an estate that Philip is heir to, but Rachel feels she has a right to as being married to the owner of the estate Ambrose, whilst being eloped in Italy.

Ambrose has passed away and Rachel has come to gain what is hers, Philip is the heir and she bends to his whim, but a connection grows between the two; a kinship that is not as illicit as the title nor trailer makes out as they are not blood relatives and merely related by law.

The film is shot from Philip's point of view and sees Claflin struggling with his emotions towards a woman who only has her own interests at heart.

Whilst Weisz has been able to play this sort of spinster evil woman before her role is one painted by the eyes of Claflin who seemingly goes through the ringer from independent man to fool in love.  Weisz is reunited with the director of Enduring Love and Michell has always been able to generate good chemistry between leads (Notting Hill), ensemble (the under-rated Morning Glory) and odd partnerships (Venus/The Mother). Whilst it has his familiar tropes of love unrequited with a certain streak of National Trust promotional material the trailer shows a tip of the hat to the Gothic tradition of British film-making from the 1950s/60s.

My Cousin Rachel is out on 9th June this summer from Fox Searchlight

Youth

Paolo Sorrentino is one of the most enigmatic filmmakers in Europe yet alone Italy incorporating a mixture of tales of an ageing man in Central Europe embraced by the performances of Toni Servillo in The Consequences of Love and The Great Beauty. 

Sorrentino has attempted English language film before with the Sean Penn vehicle This Must be the Place, a film using the oeuvre of David Byrne's Talking Heads back catalogue as a springboard. He returned for the aforementioned Great Beauty before this latest venture, Youth starring Michael Caine and Harvey Keitel.



They both play 80 year old veterans of entertainment who meet for their annual two week holiday at an elite spa in Switzerland. Caine plays a composer who could have been as great as Stravinsky yet is famous for a more popular composition he wrote for his singer wife from whom he is now estranged. Keitel is a film director who with two co-writers and an acting duo is attempting to create one last masterpiece to make with his ageing muse, played by a fleeting and glowing Jane Fonda.





Whilst we might be witnessing the twilight of these two men, they are surrounded by youth in terms of the young people who serve them or give them massages, Caine's daughter Lena (Rachel Weisz) who is going through a separation from her husband who has fallen for a younger woman. 

Paul Dano, an exciting young American actor portrays a young accomplished actor who is most famous for playing a robot in a science fiction franchise picture; he would prefer to take risks with roles and his career, which leads to him taking on a future role as a famous world leader to show his range and craft, which shows an over reach on his behalf.
This pervading sense of youth and innocence is in stark contrast to the ageing men and the manifestation of end of existing exhibited by the inclusion of a man resembling Diego Maradona. While Caine and Keitel's character can continue to exist in the popular culture through composing or directing which has no age restrictions only a restriction by an individual's ambition, whereas Maradona has a limited shelf life due to physical demands. Even the newly crowned Miss Universe is restricted, she may want to get into acting as she states but she unfortunately will only ever be Miss Universe.



Keitel is keen to point out that all you have are memories and the craving for creativity and embracing your strengths, not yo be pigeon holed by one piece of work. 



Sorrentino has moulded a film that is about celebrity - a subject that fascinates him - ageing, loss and friendship. Caine and Keitel are two titans of screen acting and cleverly have never suffered by such pigeon holing in their CV, and their depiction of friendship is portrayed effectively with genuine affection and emotion.

A wonderfully odd and eccentric film with laugh out loud moments it can be included in the great pantheon of hotel movies (Lost in Translation remains the top), a hotel allowing fleeting friendships and moments. The film is stylistically shot with a great sense of space and environment, at times you sense the people could even be there against their will in a dystopic world, yet Sorrentino has a sure hand over proceedings helped by an ensemble cast of a refined quality and an eclectic soundtrack to boot.

Youth is available on Digital download from 23rd May and on DVD and Blu-ray from 30th May from Studiocanal.