The Shepherd and The Bear

Beautiful documentary on a dying occupation on the French-Spanish Border

Yves, is the elderly eponymous hero of the story. An ageing shepherd in the hills of the Pyrenees who is in the twilight of his career and life - the two are hand in hand. His life has been one of simplicity, but now being upended by an old foe. It could read like an old west narrative, and yet this is more of a tale of mortality. As it seems the bear of the title could very well be the death of him and his occupation.

This is a clash of order and chaos; the shepherds are the order of the land whilst the bears are the chaos - unabashed, unregulated. Yves and his community are pining for help amidst the clouds.

The clash of the old with the new; shepherds have their means of working the landscape whilst the introduction of an old method which was removed and now returned brings hardship to a traditional method. Coupled with an ageing work-force with little or no apprentices following in their footsteps, the younger generations having moved to urban landscapes. 

Yet for all the wide shots of misty mountains, sun-kissed hills and verdant forests, perhaps the most telling image is a close-up of the weathered lines on Yves’ face. They say every picture tells a story and you can see in the weathered face of Yves as he looks into another fire, the light upon his face shows the years worked and how the last embers of his being and belonging.

Visually arresting and ravishing in the cinematography by director Max Keegan and Clement Beauvois; they capture the natural world in all its beauty. This coupled with a delicate score by Amine Bouhafa evokes the passing of time mixed with an appraisal of tradition and community.

The Shepherd and The Bear is out from Conic Film on limited release from 6th February.

My thanks to them for the review opportunity.

SheffDocFest 2024: The Boy and the Suit of Lights

First documentary feature from Edinburgh based film director set in Spain 

Inma De Reyes has crafted a fine modern-day document of an almost antiquated artefact of a bygone era in her hometown of Castellon, Spain. The Spanish title is El Nino Y El Traje De Luces.

Bullfighting is one of the most identifiable elements of Spanish heritage and yet it is a dying form of entertainment in the modern world with animal rights activists fighting for better care of the poor animals and also the stardom that came with the pastime waning due to the rise of better money in more mainstream sports such as football and basketball. 

De Reyes over the course of five years follows a young boy, Borja, as he navigates his puberty into young manhood with the dream of becoming a bullfighter while helping his single mother who works hard to provide for her and brother Erik. The other mainstay in his life is his grandfather, Matias, a man who could not fulfil his dream of bullfighting and so vicariously lives through his grandchildren.

The five year format - reminiscent of Linklater's Boyhood (2014) - does not use intertitles to inform the audience of a new year, instead we have the raising of a musical score to signify a movement in time sometimes bringing light to a new year or a dark cloud such as the passing of a loved one during the global pandemic. 

In terms of the lead character, Borja's expressive eyes allow us to see how he takes in this awe-inspiring arena of sport. He is very much aware of the opportunity to be something else in the world is being afforded in contrast to the underprivileged nature he finds himself in.

While filmed through the documentary medium, this is essentially a coming-of-age story for Borja and his younger brother; as they come to terms with the pressures of the decisions made in teenage years to better themselves and the hard work your parents do to keep the negativity of the world away from their children, and yet these obstacles cannot be ignored the older you become.

Empathetic in its tone and delicate handling of the complex sport while embracing the romantic notions bullfighting elicits in the Spanish cultural landscape; The Boy and the Suit of Lights is a film with lessons to learn and where even the best laid plans get changed. 

Financed by Screen Scotland, Chicken and Egg, Rustic Canyon and Women Make Movies; 

The Boy and the Suit of Lights receives its World Premiere at Sheffield DocFest on Friday 14th June in the International Feature Competition.

Sheffield DocFest: Sheffield International Documentary Festival (sheffdocfest.com)